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The Tale of Tales

Omar Porras is one of Switzerland’s foremost artists. His Tale of Tales, which treads the line between musical comedy, Vaudeville, The Rocky Horror Picture Show and an imaginary carnival, is an homage to the stage with stunning special effects. PLEASE NOTE: Management does not accept responsibility for any irrepressible urge to sing and dance that may arise from this performance.

Adapted from Giambattista Basile
Created by Omar Porras and Teatro Malandro

From 22 March
To 10 April 2022

Running time: 1h45
Main room
From 12 years old

Sold out
Tickets for waiting list only

Times
Tuesday – Friday 7.30pm
Saturday – Sunday 5 pm

Surtitled in English and French: 27 March and 1 April 2022
Audio description: 9 April 2022

Malentendant Malvoyant Personne à mobilité réduite

Tickets ▶︎

Tickets ▶︎

Distribution & Credits

With Simon Bonvin, Jonathan Diggelmann, Philippe Gouin, Jeanne Pasquier, Cyril Romoli, Audrey Saad, Marie-Evane Schallenberger

From Giambattista Basile
Direction Omar Porras, par le Teatro Malandro
Adaptation and traduction Marco Sabbatini et Omar Porras
Scenography Amélie Kiritzé-Topor
Composition, arrangements and musical direction Christophe Fossemalle
Costumes Bruno Fatalot
Costume assistant Domitile Guinchard
Props and special effects Laurent Boulanger
Make-up and wigs Véronique Soulier-Nguyen
Sound inspiration Emmanuel Nappey
Lights Benoit Fenayon, Marc-Etienne Despland et Omar Porras
Choreography Erik Othelius Pehau-Sorensen
Direction assistant Capucine Maillard
Sewing Karin Dubois
Props assistant Lucie Sulliger
Upholsterer Yvan Schlatter
Set construction Chingo Bensong, Alexandre Genoud, Christophe Reichel, Noé Stehlé
Painting Béatrice Lipp, Martine Cherix
Technique management Gabriel Sklenar
Lighting management handover Denis Waldvogel
Sound management handover Benjamin Tixhon
Sewing and dressing Julie Raonison
Make-up and wigs assistant Léa Arraez

Technique team from Théâtre de Carouge
Technique management Manu Rutka
Lights Eusébio Paduret
Sound Gautier Janin
Dressing Cécile Vercaemer-Ingles
Set assembly Chingo Bensong, Michel Croptier, William Fournier, Cédric Rauber, Loïc Rivoalan, Grégoire de Saint Sauveur, Olivier Savet

And every worker from Théâtre de Carouge

Production and line production TKM Théâtre Kléber-Méleau Renens
Coproduction Théâtre de Carouge
With the support of Pour-cent culturel Migros, Fondation Champoud

Creation at the TKM Théâtre Kléber-Méleau in Renens on the 27 october 2020

The song Angel was composed by Philippe Gouin (Fabiana Medina / Philippe Gouin)

 

Accessibility

Surtitles
Surtitles for the performances on 27 March and 1st April 2022 are provided in collaboration with the Association Ecoute Voir.
Registration: ST@ecoute-voir.org or +41 78 720 01 53
Notes
The surtitles are projected above the stage.
Please note that in order to read the surtitles comfortably, your seat must be centred, in the upper part of the room.

Surtitling tablets
The Theatre lends out surtitle tablets free of charge.
They are very easy to use and you can read the surtitles from any seat in the theatre.
How to proceed
>Reserve your seat for a performance with surtitles.
>48 hours before the performance, inform the ticket office that you need a tablet
By e-mail: billetterie@theatredecarouge.ch
By phone: +41 22 343 43 43
>30 minutes before the performance, ask for the tablet at the reception desk, in exchange for your ID card
>After the show, return the tablet to the ticket office and collect your ID

Audiodescription
The performances with audio description on 9 April 2022 will be preceded by a tactile visit of the stage and an introduction to the show.
Registration with the Association Ecoute voir : AD@ecoute-voir.org or +41 79 893 26 15
Notes
For the accompanying person of a blind or partially sighted person, the seat is free for all performances, even for performances without audio description.
Guide dogs are allowed during performances subject to availability.
In order to ensure that you are well looked after and to guarantee a seat for you and your companion or your dog, it is essential to inform the Theatre at the time of booking or at least one day before the performance.

Adapted from Giambattista Basile
Created by Omar Porras and Teatro Malandro

From 22 March
To 10 April 2022

Running time: 1h45
Main room
From 12 years old

Sold out
Tickets for waiting list only

Times
Tuesday – Friday 7.30pm
Saturday – Sunday 5 pm

Surtitled in English and French: 27 March and 1 April 2022
Audio description: 9 April 2022

Malentendant Malvoyant Personne à mobilité réduite

Tickets ▶︎